Question A. Let’s do another hands-on practice here.First, look at these “Cubist Still Life” images by Roy Lichtenstein. What objects is he depicting? How many angles are we seeing those objects from? How does he break up the picture plane?https://www.artimage.org.uk/25798/roy-lichtenstein/cubist-still-life-with-lemons–1975https://www.nga.gov/collection/art-object-page.62528.htmlNow, make your own. Remember, this is not a studio class so you won’t be graded on making “excellent” art. The idea is to try some of the art techniques – in this case combining multiple viewpoints in one drawing. Show me you put in time and effort. The result does not need to be perfect. Trust me I will know if you put in time and effort.
Question B: Two options for this journal. One – more traditional (looking at and writing about a work of art) or, Two (trying out an art process yourself)
Sometime during business hours this week, visit the Hallie Brown Ford Fine Art Center on ECU campus. (Mask required). Walk around the halls and you will see they are covered with original art from ECU alumni! Choose one work of art which you feel exemplifies or responds to one of the art movements we learned about this week (ie Neoclassicism, Romanticism, Impressionism, Pointillism, etc). Share photos (of the ECU art and the historical art you connect it to), explain your thinking (why they connect), and do a visual analysis of the ECU art.
Two: Trying an art process
Use only red, yellow and blue mark making tools. (Can be crayon, marker, highlighter, colored pencil, paint, whatever you have on hand). Choose an object around the house which includes green, orange, and/or purple. Using pointillism (aka only dots), try your best to “mix” colors by interspersing different colors and proportions of dots. You should be able to get a range of hues (colors) and values (lights and darks)! Ie a yellow-orange will have a higher proportion of yellow dots than red. If light is hitting it, try spacing your dots further apart. If it is in shadow, space your dots closer together. You may want to add more blue dots to “darken it” in the areas of deepest shadow. Have fun with this – remember it’s not a studio class so the result does not need to be perfect! The point is to better understand the pre-Modern art movement’s play with light and optics by trying it yourself. I will be able to tell if you spent some good time and effort on it. Here is one example: https://www.google.com/imgres?imgurl=https%3A%2F%2Fwww.crayola.com%2F-%2Fmedia%2FCrayola%2FLesson-Plans%2Flesson_plans%2F1317.jpg%3Fmh%3D762%26mw%3D645&imgrefurl=https%3A%2F%2Fwww.crayola.com%2Flesson-plans%2Fpointillism-lesson-plan%2F&tbnid=LHUwVPkGAB3kOM&vet=12ahUKEwib07qK7efvAhVDK6wKHR9rBn4QMygQegUIARCBAg..i&docid=jeV_xkJ9UdfgiM&w=594&h=762&q=pointillism&ved=2ahUKEwib07qK7efvAhVDK6wKHR9rBn4QMygQegUIARCBAg
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